Power of the Press Fest was on Sunday, and it was a really great event. I displayed my prints and talked to people about them. I wasn’t feeling ready to sell them and haven’t been in a “selling things” headspace, and people seemed to understand.
Read MoreCool vid
As promised, here is a process video demonstrating how I make my screens at home these days using screen filler. This is the first video I’ve made in an editing sense, and it was really fun to make! I used my trusty old (OLD) Nikon D90 camera to shoot the photos and video. I bought my D90 camera in 2009 and it still works great.
Read MoreChunky fluid
Over the weekend, I prepared the first screen of my next print and shot some photos and video to make a process video . . . which I don’t know how to do (yet), so stay tuned for that! While making the screen, I learned something valuable: if your screen filler is chunky, let it go and move on. I had been using the same, somewhat-old screen filler for a few years because I like to use everything up until it dies, but it was chunky and really difficult to paint with.
Read MoreMaking screens, homestyle
I’ve been screen printing for twenty years and have dabbled in a lot of different screen-making techniques: emulsion + darkroom; contact paper; screen filler (with and without its partner, drawing fluid); tape; paper cutouts. When you make a screen, you are essentially creating a stencil—some areas will print (ink will go through) and other areas won’t. In my time as a screen printer, I had gotten used to convenient darkroom access for various reasons and situations, but that became tricky during the pandemic. Last fall I moved my screen printing studio into an extra bedroom in my home, and as I thought about my printing future, I decided to challenge myself: for my next print project (whatever it would be), I would keep the entire process under one (my) roof.
Read MoreCut & paste
At the start of the pandemic, I turned to collage as a simple way to make art at home with materials I had lying around: magazines, glue, scissors. When I started collaging, I gave myself two rules: no humans and no text were allowed in the images.
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